Watermelon Nights

First published in 1998, Watermelon Nights remains one of the few works of fiction to illuminate the experiences of urban Native Americans and is the only one to depict the historical conditions that shape a tribe’s rural-to-urban migration. As the novel opens, Johnny is trying to organize the remaining members of his displaced California tribe. At the same time, he is struggling with his own sexuality and thinking about leaving his grandmother’s home for the big city. As the novel shifts perspective, tracing the controversial history of the Pomo people, we learn how the tragic events of Elba’s childhood, as well as Iris’s attempts to separate herself from her cultural roots, make Johnny’s dilemma all the more difficult. In the end, what binds both family and tribe together is a respect—albeit at times reluctant—for the traditions that have withstood so many challenges. This new edition of the novel features a revised preface by the author and an afterword by Reginald Dyck, who identifies broader contexts important to our understanding of the novel, including tribal sovereignty, federal Indian policy, and the effects of historical trauma. Gritty yet rich in emotion, Watermelon Nights stands beside the works of Louise Erdrich, Stephen Graham Jones, and Tommy Orange.