
Brecht on Theatre
The Development of an Aesthetic
Farrar Straus & Giroux · Print & ebook · January 1, 1964
This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing.
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- Who it’s for
- Chronological essays trace Brecht’s thinking on theatre, from alienation effects to a fuller philosophy of drama.
- Themes
- Theatre criticism, Epic Theatre, Alienation effects
- Genres
- Theater History & Criticism, Drama Criticism, German Plays
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Start with this bookAbout this book
This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo.
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Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutionary philosophy of drama. Translated and edited by John Willett, Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.
Ideas for the Stage
Chronological essays trace Brecht’s thinking on theatre, from alienation effects to a fuller philosophy of drama.
Come here for
- A close look at how directing, acting, and writing shape Epic Theatre
- Critical writing alongside discussion of Brecht’s major plays
Expect
- Essays spanning 1918 to 1956
- The concise, demanding pleasure of following an aesthetic take shape
Where it sits
| Theater History & Criticism | 86% |
|---|---|
| Drama Criticism | 39% |
| German Plays | 37% |
Percentages are BookFrontier’s reading of the book.
Publisher categories
- Theater History & Criticism
- Authors
- Bertolt Brecht, Steve Giles
- Publisher
- Farrar Straus & Giroux
- Published
- January 1, 1964
- Format
- Print & ebook
- Theme
- Theatre criticism · Epic Theatre · Alienation effects
- Reading lane
- Theater History & Criticism