Introductory Lectures on Aesthetics by Georg Wilhelm Friedrich Hegel

Introductory Lectures on Aesthetics

Georg Wilhelm Friedrich Hegel, Michael Inwood

Penguin Publishing Group · Print & ebook · January 4, 1994

A Philosophy pick for readers exploring Introductory Lectures on Aesthetics.

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Who it’s for
Hegel’s account of art is both deeply admiring and sharply doubtful about its modern prospects.
Themes
Art and aesthetics, Art's place in modernity, Classical and modern art
Genres
Aesthetics, Art Criticism & Ideas, Philosophers & Their Ideas

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About this book

No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions.

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Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.

Art Under Pressure

Hegel’s account of art is both deeply admiring and sharply doubtful about its modern prospects.

Come here for

  • A bold pairing of classical ideals and modern unease
  • A philosophical case for taking art seriously

Expect

  • Passionately argued lectures from 1820s Berlin
  • Questions about how art meets a changing world

Where it sits

Aesthetics93%
Art Criticism & Ideas55%
Philosophers & Their Ideas43%

Percentages are BookFrontier’s reading of the book.

Publisher categories

  • Art Criticism & Ideas
  • German Literary Collections
  • Aesthetics
Authors
Georg Wilhelm Friedrich Hegel, Michael Inwood
Publisher
Penguin Publishing Group
Published
January 4, 1994
Format
Print & ebook
Theme
Art and aesthetics · Art's place in modernity · Classical and modern art
Reading lane
Art Criticism & Ideas