Art Criticism & Ideas

Encounter

Milan Kundera

Studies in Iconology

Erwin Panofsky, Gerda S. Panofsky

On Painting

Leon Battista Alberti, Martin Kemp

Introductory Lectures on Aesthetics

Georg Wilhelm Friedrich Hegel, Michael Inwood

The Literate Eye

Rachel Teukolsky

The Seventh Sense

Peter Kivy

Studies in the History of the Renaissance

Walter Pater, Matthew Beaumont

Duchamp Is My Lawyer

Kenneth Goldsmith

Reorientalism

Nariman Skakov

I Paint What I Want to See

Philip Guston

Art Power

Boris Groys

Gerhard Richter

Benjamin H. D. Buchloh

Warped Space

Anthony Vidler

The Cornucopian Mind and the Baroque Unity of the Arts

Giancarlo Maiorino

Representing Belief

Michael Paul Driskel

Common As Air

Lewis Hyde

On Late Style

Edward W. Said

How to See

David Salle

Francis Bacon

Didier Ottinger, Bernard Blistene

Monsters

Claire Dederer

What Are You Looking At?

Will Gompertz

Artful

Ali Smith

Arcades Project

Walter Benjamin

Aesthetic Theory

Theodor W. Adorno, Robert Hullot-Kentor

Postmodernism, Or, the Cultural Logic of Late Capitalism

Fredric Jameson

The Queer Art of Failure

Jack Halberstam

Performance

Diana Taylor

Illuminations

Walter Benjamin

The Art-journal and Fine Art Publishing in Victorian England, 1850-1880

Katherine Haskins

The Writings of James Barry and the Genre of History Painting, 17751809

Liam Lenihan

The Other Synaesthesia

Susan Bernstein

Counter-cartographies

Leon J. Hilton

The Geography of the Imagination

Guy Davenport, John Jeremiah Sullivan

Dime-store Alchemy

Charles Simic

The Politics of Aesthetics

Jacques Rancière, Gabriel Rockhill

Immediacy

Anna Kornbluh

Bento's Sketchbook

John Berger

Permanent Red

John Berger

The Choreography of Everyday Life

Annie-B Parson

Structure and Synthesis

Mark Fell