The Art-journal and Fine Art Publishing in Victorian England, 1850-1880 by Katherine Haskins

The Art-journal and Fine Art Publishing in Victorian England, 1850-1880

1st Edition

Katherine Haskins

Taylor and Francis · Print & ebook · May 2, 2012

Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art.

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Who it’s for
Katherine Haskins examines how Victorian art publishing shaped fine art practices, audiences, and markets.
Genres
Printmaking, Art Criticism & Ideas, Art History
Published
Taylor and Francis, May 2, 2012

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About this book

Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art.

Continue reading

The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.

Art-Journal Prints

Katherine Haskins examines how Victorian art publishing shaped fine art practices, audiences, and markets.

Come here for

  • The Art-Journal’s steel-plate prints after paintings
  • Links between paint, print, and Victorian middle-class domestic aspirations

Expect

  • Art publishing and journalism from 1850 to 1880
  • The ties between fine art and trade publishing

Where it sits

Art History59%
Art Criticism & Ideas49%
Printmaking38%

Percentages are BookFrontier’s reading of the book.

Publisher categories

  • Romanticism Art History
Authors
Katherine Haskins
Publisher
Taylor and Francis
Published
May 2, 2012
Format
Print & ebook
Reading lane
Romanticism Art History