
Zofloya
Or the Moor
Oxford University Press · Print & ebook · November 7, 2008
`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century.
We earn from qualifying purchases.
- Who it’s for
- For when you want romance with a black velvet edge and a faintly dangerous pulse.
- Genres
- Gothic Romance, Renaissance Fiction, Horror
- Published
- Oxford University Press, November 7, 2008
Nearest books
Matched by what the books are about, then ordered by what their readers also loved. Most of these share its genre: Gothic Romance.
Jude the ObscureThomas Hardy48% match
OurikaClaire de Duras50% match
The MonkM. G. Lewis52% match
Mary and the Birth of FrankensteinAnne Eekhout57% match
The Secret Market of the DeadGiovanni De Feo, Carlotta Brentan54% match
The Tenant of Wildfell HallAnne Bronte53% match
Italian Renaissance TalesAnthony Mortimer, Giovanni Boccaccio52% match
For younger readers: Angelmonster, The Book of Living Secrets, House of Roots and Ruin
Start with three books, and this one can be the first.
Members get a new edition every morning: a route out from their books to essays, research and talks, with the reason for each.
Start with this bookAbout this book
`Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye.
Continue reading
Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of `Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer.
Velvet Shadows
For when you want romance with a black velvet edge and a faintly dangerous pulse.
Come here for
- Gothic atmosphere, romantic danger
- Early, melodramatic suspense
Expect
- Heightened feeling over restraint
- A sustained, theatrical read
Where it sits
| Gothic Romance | 96% |
|---|---|
| Renaissance Fiction | 54% |
| Horror | 51% |
Percentages are BookFrontier’s reading of the book.
Publisher categories
- British & Irish Literary Criticism
- Authors
- Charlotte Dacre, Kim Ian Michasiw
- Publisher
- Oxford University Press
- Published
- November 7, 2008
- Format
- Print & ebook
- Reading lane
- British & Irish Literary Criticism